The more you do it, the easier it gets. Accept that you're probably not going to play as well on an unfamiliar kit. The less you worry, the smoother things will go.
This is a problem i always had in the past. I play good on my own set then when im at a friends house or at a gig and someone lets me play there set, i just dont sound the same.
The tension on the bass drum is different, the toms are tilted differently ect....
When you guys are forced to use someone elses kit, how do you do it? Its a silly question but what the heck.
The more you do it, the easier it gets. Accept that you're probably not going to play as well on an unfamiliar kit. The less you worry, the smoother things will go.
Mmm... Saturns.
It's not a silly question, and weezy is right. The more you do it, the easier it gets. When I was in college studying music (back in the 1800's), one instructor would have us play drumset pieces on the kit that was set up in the front of the class. But he wouldn't let us switch it around. We had to play it 'as is'.
Set your kit up in an odd way and just make yourself play it that way now and then. It's part of a good, diversified practice program.
Great points as usual guys. The biggest issue i have on an unfamiliar set is always the bass drum pedal.
Its impossible for me to get in fast kicks on another persons set.
We just do the best we can.
-Brian
"Too many crappy used drum stuff to list"
Play the SONG......not the DRUMS!!!
"I think that feeling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts." ~ John Bonham
Unless the drums are set up in a really ridiculous way, you should be able to play them. As for the pedal, bring your own. Mike, get longer drumsticks.
You play the drums or they will play you. A good drummer can and will play on a chair with 2 spoons if he/she has to.
Yeah when I know I am going to play someone elses kit I always bring my own pedal, my old instructor had the weirdest spring/beater position on his pedal and it was all I could do t play a steady basic rock beat on it. Usually I can adapt to drum and cymbal positions.
Ludwig Classic Maple 22x16,10x8,12x9,16x16
7" Moon Gel Practice Pad
Sabian HHX Legacy
Decide whether this is love for the craft or simply an ego thing
http://www.redskymary.com/ NOT MY BAND, JUST A GREAT LOCAL BAND WHO SHOULD BE SOOO MUCH BIGGER IMO
Naw man. Shouldn't matter. If you can play, you can play. Blaming other things gets you nothing.
When I was going to school for music this actually was a topic of discussion and turned into a lesson.
As a musician you need to learn to adapt to not only your surroundings but your instrument too.
You won't always be able to play your own gear but you need to be able to make anything and everything work.
Our teacher started messing with us and daily setup the kit in horrible ways and made us play on it the way it sat.
You have to adapt your fills to what you can do on what you're given.
Gretsch USA & Zildjian(What Else Would I Ever Need ?)
Great advice given and I'll add my 2 cents. Besides the obvious hardware issues that can be remedied by bringing your own pedal, try setting up your kit in different configurations during the course of practice. As mentioned by those who had formal music instruction, it's almost a must to adapt to a different feel your instrument if you are asked to play one that's not your own.
Just for the fun of it, try playing your kit blindfolded and only rely on memory and "feel". I often close my eyes when trying to tackle a complicated groove. The brain can go into the "overload" mode and by simply shutting down the visual aspect of playing can relax your muscles and you'll notice a calming feeling transcend down to your limbs.
I'm playing at a charity gig tonight with multiple other bands and provided, backline drums: told to bring my own cymbals, throne, snare and pedal. Last time i did this the kit looked like a kid's kit! I hope tonight's kit is a bit more "standard." Another time the kit was more standard but the two mounted toms actually rested their batter side hoops on the kick (mounts were broken they said.)
SONOR 6 pc Special Edition 3007's red maple, old Pearl Brass 14x6 FF snare, Yamaha Tour Custom maple 8 pc., Tama 4 pc., honey amber B/B, Ludwig Supralite chrome 14x6.5 steel snare, Paiste, Saluda & Zildjianhttp://www.facebook.com/DerailedRockers/
Loaned out Slingerland upgraded 4 pc 1963 black, wrapped maple + 14" Pearl birch FT
-Brian
"Too many crappy used drum stuff to list"
Play the SONG......not the DRUMS!!!
"I think that feeling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts." ~ John Bonham
So last night I played a 20-10-14 tama provided for the event( small tom on a snare stand-not what I like) using my Speed King pedal, Sabian cheap cymbals....but the kick slid out 6" during every song and I'd drag it back during some songs beating the FT to keep time! This is a good reason for mounted toms whose weight would've stopped the crawl. The kick spurs were out, the rug was good but to no avail. I wished for a rope but we were in hurry mode: do the short set list and get out for the next band. Sigh.
SONOR 6 pc Special Edition 3007's red maple, old Pearl Brass 14x6 FF snare, Yamaha Tour Custom maple 8 pc., Tama 4 pc., honey amber B/B, Ludwig Supralite chrome 14x6.5 steel snare, Paiste, Saluda & Zildjianhttp://www.facebook.com/DerailedRockers/
Loaned out Slingerland upgraded 4 pc 1963 black, wrapped maple + 14" Pearl birch FT
when i gotta do it i'll break something before i'm done just to let them know it sucked.
RDM/Damage Poets
UFiP TAMAHA Zildjian
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AQUARIAN
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