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Thread: Help with All District audition music. What's this note?

  1. #1

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    Default The Music

    Snare:


    Snare(Cont.):


    Timpani:


    The Current Main Problem:

    If someone can show me or tell me some way to play these guys(The ones in the middle of the three with the decrescendo) that'd help a lot.

  2. #2

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    i cant see the images.
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  3. #3

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    You have to click the links. The images are too big to post apparently...

    ***Edit***
    Look it let me post finally -_-

  4. #4

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    There was a system error. The pics are posting now.

  5. #5

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    The triplet figures with the four notes in them, are 1/8 note tripplets, but the first 1/8 note is devided up into two 1/16th notes. So if you use the sylables trip-ple-let to count on beat you play two notes when you say Trip- and then on note for the sylable ple- and one note for the syllable -let.. Hope that answers your question and you understand my explanation. It would be easier if I could just play it for you. The sticking I would probably use for each tripplelet figure would be r-r-L-R (small letters represent the two 1/16th notes)
    Gretsch Catalina Birch 6 piece fusion set (10,12,14,16in. Toms, 22 Bass). Sabian 20" HH Classic Ride, 16" Istanbul Agop Dark Crash, & Zildian K 13" Hi-hats.

  6. #6
    Shazane Guest

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    Those look similar to swiss army triplets, a triplet with a flam in place of the first 8th note, only they aren't annotated as using a flam so it must have more space in between those 16th notes, it would probably be best to use a double stroke for the 16ths, accenting the first hit, that way it wouldn't even disrupt the typical execution of a triplet. Hmm, in a way it also sort of functions as a paradiddle with a change in spacing, like the way I'd play one at a high tempo, but I cannot remember how to read tempo on here so I don't know if anything I'm saying is even applicable. Someone who actively plays from sheet music can give you better advice.

    Also, TIMPANI, that takes me back.
    Last edited by Shazane; 12-08-2007 at 12:33 PM.

  7. #7

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    Quote Originally Posted by Church Drummer View Post
    The sticking I would probably use for each tripplelet figure would be r-r-L-R (small letters represent the two 1/16th notes)
    And of course that depends on:
    1. How fast the song is
    2. What your individual preference is
    3. What the band director wants you to play. Sometimes they have a preference.


    I agree, it would be easier if you could just hear someone play it.

  8. #8

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    Well I won't see the Percussion teacher til Monday in 1st hour, and I'll ask him to clear it up for me. I was thinking something along the same lines as Church Drummer. The rr LR thing should work too. I'm just trying to get a lot of it down now.

    P.S. Thanks for that SU Admin, I was trying to figure out what the heck was going on.

  9. #9

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    Wow that Timpani part looks fun.

  10. #10

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    Yeah the Timpani part is pretty fun, and I figured out what the notes where. I've got the piece down now pretty much. Now I just gotta play it on Monday for my Percussion Final, then in January at the audition.

  11. #11

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    Long time no post for me...

    This is probably coming in a little late, but who knows, maybe it'll help anyways? The way I would try to explain that to someone is to think of it as the first part of a sextuplet. Or, think of it as a group of eighth notes in 6/8 time. I personally find easier to think of those triplets in 6/8, as if they were: 1 + 2 3. It would be played exactly the same if the tempo was adjusted for 6/8 and the triplet notation was removed.

    Hope that didn't further confusion!
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