It doesn't matter what its called. Your job is to emulate the sound on the kit to best represent the feel. The most important beats are the "1" and "3". It's a very loud (in front of the mix) hit that leads the tune. I would play that it on a tom or have another member play it while you're playing the rest of the beat. They could also play some cowbell and congas. (Don't know if you have another player that could do this or not.)
After that, concentrate on the "ah" of 1 and the "and" of 2 (repeated on 3 and 4). That's what drives the feel of this groove. I would put 4 on the floor (B.D.) to help drive it for dancing. You can then make up the rest over the hi hat or with ghost strokes on the snare.
I love beats like this because there are a lot of creative ways you can play it. Let loose and have fun with it. Just make sure you've copped the feel of the tune first and foremost. Record your beat and listen to it next to the song to make sure you're getting it right.
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